Release of the The Culling, the second book in the Chronicles of the Two Worlds series, brings up a mix of feelings. There is excitement, the thrill of seeing one’s imaginings take form in words, of seeing a dream become tangible reality in the form of a book. There is also fear, like that of a mother watching her child take his or her first teetering steps into the wide world. There is the wonderment of a ship builder launching his vessel into the vast and turbulent sea. What new and strange shores will it encounter, and will it return safely or founder and sink to the bottom of some distant ocean, there to be forgotten? I wonder, I worry, I anticipate... and then I let go. My child’s back is to me now, receding into the crowded marketplace of books, where some live, some die, and some linger forever in between. The story has a life of its own. My writing partner and I merely put pen to paper, fingertips to keyboard, and the story revealed itself. It has left our home; we hope you will welcome it into yours.
The Successor, Book One of the Chronicles, was released October 30, 2016, and we sincerely hope you enjoyed reading it. The second edition of The Successor was released several weeks ago. It features the work of our new cover artist, Jeffrey Otto, based on a photograph made by co-author Charles Sale while he was travelling in Spain. Charles’ photography spans the world, capturing nature, cultures, people, and the beauty of changing seasons. You can see his work at www.chucksale.com. The inspiration for this new cover comes directly from the story. The inspiration for the cover image of the second edition can be found in Chapter 13 of The Successor:
Elizabeth raised the heavy Florentine door knocker.
Now it begins.
She brought the knocker down hard on the brass striker plate.
November 14, 2016, 12:01 a.m (MST)...
Naomi Lea Sawyer
With the publication of The Successor on November 14 and the finishing touches in progress on its sequel, I am struck by a strange sadness. Endings are funny things. As a reader I have found myself racing through a 700-page novel, ravenously devouring its contents in an effort to satisfy my insatiable desire to discover how the story ends, all the while hating how fast I was turning the pages because I did not want to turn that last page and end the experience. Watching an entertaining film last night, I found myself desperately wanting to know if the hero was going to find the bomb before it exploded and killed half the human race, while at the same time wishing the movie would not end. We bite our nails, stamp our feet, and involuntarily tense our muscles in eager anticipation of a conclusion. Not because we want to reach the end but because we want to make sure that everything is going to turn out okay or in some other way is satisfactorily concluded. Yet there is a part of me that hates for the conflict to be fully resolved.
I have decided all this resolution stuff is an illusion. What some view as an ending is just another beginning. The seasons form a perfect metaphor for this. Fall is my favorite season. I love the parade of color, the crispness in the air, the thrill of watching the near-magical daily change in my surroundings. I know that the season will end: The cold white snows of winter will replace the brilliant yellows, oranges, and reds of fall. It is said that fall is essential death, being a temporary cessation of many processes we associate with life in both flora and fauna. Fall is the ending of one thing and the beginning of another. If this ending did not occur, I would never know the beauty of a falling snow flake, the joy of walking through virgin snow, or the pleasure of sipping a hot cup of tea while wrapped in a cozy blanket—or the coming of spring and the great planet-wide rebirth.
The Successor is complete. Or is it? The work of delivering it to readers, who we hope will be entertained and uplifted, is just beginning. The Culling, its sequel, has only to be edited and processed for publication. Still, ending work on The Successor is a scary thing after so long a journey with my partner. Closing the door on edits and revisions that took eight years of my life and moving on to the next book—a scary thing. But if we didn’t end it, the characters in The Successor would be forever stuck—stuck repeating the same lines in the same places, telling each other stories within the story I told.
It is time to move on, to prepare the rest of the story for you. And so with boldness I let go of The Successor and hand it on to you, dear reader. I hope you will make it your own, as I did for a time. I hope it brings you as much joy as it has brought me.
Charles Arthur Sale
“People wonder why the novel is the most popular form of literature; people wonder why it is read more than books of science or books of metaphysics. The reason is very simple; it is merely that the novel is more true than they are.”
― G.K. Chesterton
Soon, eight years of collaboration will culminate in the release of The Successor. On November 14, 2016, at 12:01 a.m. (MST) the book will become available in print and Kindle editions at Amazon.com. Other booksellers will follow.
As a published non-fiction writer of long experience, I believed the transition to fiction, especially fantasy, would be relatively easy. I can string words together with passable skill. My non-fiction readers understood my meaning—I was tested in tough environments. Writing directives and speeches for executives in large organizations, political leaders, and scientists and engineers in academia required not only that my products be concise and understandable, but also that they block misunderstanding by any reasonable standard of interpretation.
This experience was useful in my work on The Successor, but it was not enough. The demands of storytelling are unique. As Chesterton observes, the storyteller must convey truth that goes beyond facts. The poet must give us reality and then take us past reality to what lies beyond mere perception and arrangements of concepts. Words can only point. The storyteller takes us into unknown territory. Naomi and I invite you into unknown territory.
"I think we can make it to the other side."
"You first. I saw movement in the trees."
"That makes it easy. 'Canon to the right of them, canon to the left of them...' You know, Charge of the Light Brigade"?
"I seem to remember that every last one of the 600 died."
"Yeah, but there are only two of us. We can make it."
Naomi Lea Sawyer & Charles Arthur Sale
The Successor is coming soon.
"She was here. She was everywhere. She walked with him as she always had along the backcountry trails, over the talus fields, through the swollen streams of spring, and across the frozen lakes of winter..."
Chronicles of the Two Worlds
Naomi Lea Sawyer & Charles Arthur Sale
Coming soon to Amazon and other booksellers. Watch here for news of the release.
"She died a year ago," he said. “Cancer.”
"I know," Joshua said. "I saw her grave."
Gone only a year, Nathan thought, but it feels like ten, like a lifetime really.
He had heard people speak of soul mates. It did not seem right to him, what people said. She had been his soul mate, but it was not like what people said or what he read in books. It was simpler, more natural, more real, just the way things should be between two people who meet and marry and use up their lives together.
Chronicles of the Two Worlds
Naomi Lea Sawyer & Charles Arthur Sale
My mother loves to bake, and she bequeathed this love to me. I have so many wonderful memories of licking cookie dough from beaters, nibbling the cores of pears left over from homemade jam, and suffering a burnt tongue from not letting the English jam tarts cool. The smells during the holidays were intoxicating, a mixture of buttery homemade bread, gooey cinnamon rolls, fudge, toffee, homemade caramel, and innumerable types of cookies and cakes. (Chuck says my food descriptions in The Successor are a persistent source of editorial distraction; he wants to eat, not write.) My mother would also spend hours smocking handmade dresses (a lost art form). In short she threw herself completely into being a mother and homemaker and, as often happens, left very little for herself, her private, secretly longing self.
My father commented on this when I was 16; I shall never forget his words. “Naomi, never give up on your dreams, the things that define you. Always remember to keep something for yourself.” He said my mother threw everything into being a homemaker as soon as they were married. But as the years passed she seemed to lose something of herself and became sad. Dad grew increasingly concerned and encouraged her to find an outside interest. She reached into her past and took up piano lessons again. Some of my fondest memories are of lying awake in my bed late at night listening to my mother play the piano. I remember with great fondness her taking me with her to the concert hall when she was assigned to give a recital and to the Bach Festival in Carmel-by-the-Sea, a picturesque village on the coast of California.
My mother’s love of music gave wings to my pursuit of writing. I found something that was my own and invested my life energy in it. When Chuck and I were finishing the book, I saw more clearly than ever how these life lessons and so many more experiences shaped me along my way. I look forward to sharing my story, hidden within the pages of The Successor, with you. I have now passed along my father’s council to my own daughter and to other women I know. Never give up on your dreams. Find something that defines you and refine that definition into a beautiful poem.
- Naomi Lea Sawyer
Charles Leerhsen wrote a book entitled, Ty Cobb: A Terrible Beauty. I have not read it, but I did read portions of a speech Mr. Leerhsen delivered about writing this book and about the insidious process that gives birth to lies and sustains them despite all evidence of the truth. Mr. Leerhsen's speech was given at Hillsdale College on March 7, 2016, and published in the March 2016 edition of Imprimus. I encourage all to read it.
I don't know much about baseball, except, as George Will once said, it is a game of chapters. I know even less about Ty Cobb, the first man to be inducted into the Baseball Hall of Fame and arguably the greatest player the game has ever seen. I do, however, know something about lies, and was intrigued by two things Leerhsen said in his speech.
"It is easy to understand why this is the prevailing view. People have been told that Cobb was a bad man over and over, all of their lives. The repetition felt like evidence." (Emphasis added.)
I have witnessed this feeling many times, and sometimes I have felt it. I have seen it in science, religion, politics, and the discourse of families. It is seldom recognized, and often goes unchallenged. Repitition can easily be mistaken for truth.
Mr. Leerhsen says the following near the end of his speech:
"I knew going into this project [writing the book]—having been at one time an editor at People magazine—that human beings take delight in the fact that the rich and famous are often worse and more miserable than they are. What I didn’t understand before was the power of repetition to bend the truth. (Emphasis added.) In Ty Cobb’s case, the repetition has not only destroyed a man’s reputation, it has obliterated a real story that is more interesting than the myth."
Truth is stranger--and more interesting--than fiction; however, I think that the best place to tell the truth is in a work of fiction. That is what we have attempted in The Successor.
Charles Arthur Sale
Publication arrangements for The Successor are well underway and on schedule for release this year.
It is like climbing a mountain. There is initial excitement. Hands and feet are cold starting out. The pace is uneven at first but soon settles into something sustainable (one hopes). Clothing is adjusted as the expenditure of energy produces heat. The down jacket comes off. Perhaps a brimmed hat replaces a wool one. Other things are removed or exchanged as progress is made upward. The route becomes obscured, maybe even lost--but never entirely because one knows by map and compass (and these days perhaps GPS) where, high above, the objective awaits. False excitement is supressed (if one has experience in this ridiculous activity) as each false summit is mounted and passed over. On and on. The whole thing becomes a slog--especially the difficult mountains, the ones with long approaches and high summits--but one goes on. Weather threatens. One tries to pick up the pace but exhaustion denies this effort. The air thins. Now the universe is the next step and the next and the next. And then the summit.
Are you hearing the metaphor in all this? Six years Naomi Lea Sawyer and I have been on this mountain. The altimeter says we are close to the summit, but we will believe only when we are standing on it and there is nothing higher in the near distance. We will share it all with you when we arrive. Soon. We will arrive soon.
Every author wishes to be read. But that, dear reader, is not the only, or perhaps even the primary, joy. As those who have climbed many mountains (and wish to climb others) will tell you, the summit is merely a check mark. I have few recollections of summits; I have many of the efforts, including the suffering, to achieve them. From the summit one sees the ridge connecting to the next summit, and feels a new excitement. If one is subject to mission creep (as I am), that ridge can prove dangerously alluring. Yes, the weather is closing in, but we have come this far, we are so close (almost always an illusion), we can make it, we have headlamps... The insanity advances from there.
We have completed The Successor, and nearly completed its sequal, The Culling. But there are more books to come in the Chronicles of the Two Worlds.
We can make it; we have headlamps.
On and on it goes.